Tag: George Romero


The Human Monster


In Dawn of the Dead, the zombies are caricatures of the living in their spiritlessness, but in almost every zombie narrative, another boundary between the human and the monster is blurred—the living are frequently shown to be more monstrous than the walking dead. The zombies certainly represent a serious external...

Zombies and Consumer culture


That the zombie is a reflections of modern man is apparent in Romero’s second installment of his zombie narratives, Dawn of the Dead (1978), where he “offers us a glimpse of a universe in which all spiritual values have been replaced by our awareness of the material realities of the...

Heroism ain’t what it used to be


Beowulf and Achilles,  now those were heroes.  Even more recent literature has guys like Van Helsing and Aragorn.  In his treatment of the hero, Alsford says that a hero is “fundamentally oriented towards the other”; the hero “gives him or herself to the world” (29).  Zombie movies don’t have heroes...

Zombies Ain’t Got No Soul


Previous Zombie Posts: A New Kind of Monster A Brief History The horror story in general, turns fear, “whether personal or social, into a specific type of monster; and seeks to contain and destroy it” (Worland 17).  As a very popular figure in modern narratives, the zombie is the embodiment...

Zombies: A Whole New Kind of Monster


"Apocalypse" (Ἀποκάλυψις) is a Greek word meaning "revelation."  In popular culture we often equate the word apocalypse with zombies.  "The zombie apocalypse" actually means "that which zombies reveal."  Zombies reveal some very interesting things about us, our society, and how we understand ourselves and our society. This has always been the...